Aug 9, 2016
From Nigeria: Mary Afi Usuah – African Woman
Mary Afi Usuah trained as an a opera singer at the prestigious St Cecilia Academy in Rome and spent 13 years touring Europe with artists like Duke Ellington and Deep Purple. She matched vocal chops with Robert Plant performing with Led Zeppelin and blew away the top names on the Lagos scene when she returned to Nigeria. She also broke a few hearts with her killer smile, if some accounts are to be believed. African Woman marshals these experiences into an exceptionally powerful and diverse album. From the Tina Turner stomp of ‘What’s A Woman To Do’, to the Aretha-style musings of the title track, Mary takes everything she learned on the road to tell her story about her continent in a distinctly African manner. The boys from Akwassa were on hand to ensure that everything was kept extra tight and funky. Mary Afi Usuah only released two albums but she is undeniably one of the greatest female singers the African continent has produced. African Woman serves as her legacy, along with the remarkable number of Nigerian female singers she mentored and inspired. - Peter Moore
"I met MARY AFI USUAH in 1979 while I was the lead singer with TEE MAC COLLECTION. We were based at SURULERE NIGHT CLUB in Lagos, Nigeria. She came in from Calabar in the Cross river state. She was a beauty with her afro hair and had a very strong voice and very powerful on stage. Her performance was electrifying. She did a lot of shows with us and together we got the crowd rocking. A very dark complexioned lady, she was full of life and love. Her smiles would sweep any man off her feet instantly and I immediately recognized a talent that go all over the world. Her music is a blend of African rhythms, soul and funk with heavy bassline. I am glad to let you know that the vynil you have in your hands now contains music that will tickle all ears for a very long time. Happy listening."
Steve Black
Tracklist
A1. Tell Me Now
A2. Kam Fat Owo (Mbata)
A3. What's A Woman To Do
A4. African Woman
B1. Sweet Elijah
B2. Spread More Love
B3. Our Generation (Ode To Our Nation)
B4. Tenkim Kpoho
Labels:
Mary Afi Usuah
Aug 8, 2016
The Brighton Beat - Hear And Now
Driven by a unified belief in real people playing real
instruments expressing real human emotions, The Brighton Beat's goal is
to create music that is able to live, breath and develop, with songs
that allow the musicians to communicate and tell a story through
carefully crafted melodies and inspired solo passages. Real world
experiences and an inherent knowledge of jazz set them apart from the
crowd. This is a band of working professional musicians looking to make a
name for themselves in the ever burgeoning Afrobeat scene. Heavily
influenced by Afrobeat pioneer Fela Kuti, but in no way traditional, The
group creates grooves reminiscent of Herbie Hancock, at times reaching
the raw, unbridled expression found in the music of Miles Davis and
Freddie Hubbard.
The Brighton Beat is centered around a strong rhythmic foundation of bass, drums and dense percussion. Varying textures of unique, vintage keyboard and guitar sounds help to thicken the compositions. Leading the group, the adventurous horn section bring their heavy jazz influence to the forefront. Bassist Ryan Hinchey and Drummer Sammy Wags established their groove during recording sessions and national tours with various funk and reggae outfits (iLa Mawana, 6th Degree, The Hub Dub). The horn section leaders; Jon Bean (tenor sax) and Mark Zaleski (alto sax) came together while studying jazz at the New England Conservatory. Upon finishing they quickly established themselves as first-call session players for many of Boston's highest regarded jazz projects, all the while cultivating their own ideas, and exploring the different styles of music that influence The Brighton Beat's diverse catalog.
The Brighton Beat stormed onto the scene with their debut; "The Brighton Beat EP" in 2010, and have since hit the ground running, performing at premier venues around greater New England. Their first full-length album; "The Brighton Beat LP" released in 2012, has been critically acclaimed, receiving numerous glowing reviews and has been featured on commercial/college radio and has been used in independent films. The Brighton Beat's follow up album, "Off We Go" was released in January 2015 and has been distributed around the world.
thebrightonbeat.com
The Brighton Beat is centered around a strong rhythmic foundation of bass, drums and dense percussion. Varying textures of unique, vintage keyboard and guitar sounds help to thicken the compositions. Leading the group, the adventurous horn section bring their heavy jazz influence to the forefront. Bassist Ryan Hinchey and Drummer Sammy Wags established their groove during recording sessions and national tours with various funk and reggae outfits (iLa Mawana, 6th Degree, The Hub Dub). The horn section leaders; Jon Bean (tenor sax) and Mark Zaleski (alto sax) came together while studying jazz at the New England Conservatory. Upon finishing they quickly established themselves as first-call session players for many of Boston's highest regarded jazz projects, all the while cultivating their own ideas, and exploring the different styles of music that influence The Brighton Beat's diverse catalog.
The Brighton Beat stormed onto the scene with their debut; "The Brighton Beat EP" in 2010, and have since hit the ground running, performing at premier venues around greater New England. Their first full-length album; "The Brighton Beat LP" released in 2012, has been critically acclaimed, receiving numerous glowing reviews and has been featured on commercial/college radio and has been used in independent films. The Brighton Beat's follow up album, "Off We Go" was released in January 2015 and has been distributed around the world.
thebrightonbeat.com
Unfortunately cannot find any review for the new album ...
... please just check it out at their bandcamp!
Labels:
The Brighton Beat
Aug 5, 2016
Career Retrospective For Highlife Master Pat Thomas
This Fall, we’re proud to present the first full career retrospective release for Ghanaian highlife master and “The Golden Voice Of Africa,” Pat Thomas, covering his late ‘60s big band highlife recordings through to the “burger highlife” movement of the early ‘80s. With Thomas currently wowing audiences on the road in support of last year’s incredible album with Kwishibu Area Band, Coming Home offers listeners a chance to get to know Thomas’ singular career.
One of Thomas’ earliest tracks, with the Ebo Taylor lead Broadway Dance Band, is streaming below. The partnership with Taylor would become one of the enduring forces in Ghanaian music during the ‘70s, creating a fresh, progressive new highlife sound. “Today, highlife has become the world’s music,” says Thomas, “and I am proud to still bring it to so many people.”
Pat Thomas – Coming Home is released 30th September on 2CD, 3LP and digital formats, and features exclusive photos and a full interview with Pat Thomas. Pre-orders are available now.
Strut Records.com
Labels:
Pat Thomas
Jun 6, 2016
Pasteur Lappe - African Funk Experimentals (1979 To 1981)
Amazing compilation of Cameroonian funk master Pasteur Lappe.
"The story begins in the 60s with a charming 19 year old Nicolas "Pasteur" Lappe becoming a sensation on Radio Adele in Douala Cameroun. He goes on to become the editor of Douala Gazette newspaper and become friends with other African music stars such as Tala AM, J Moboule and Fela Kuti. He also works tirelessly promoting new and upcoming local Cameroonian talent. After moving to Paris, a stint in Journalism school and publishing a book of poems "Chansons Negres" he finally settles into a new life of music in Paris.
Our hero makes a trio of albums from 1979 to 1981 with backing band and production collective called the Zulu Gang which include Douglas Mbida (who goes onto release several top flight albums himself) and Jacob Desvariaux (who went on to form Kassav). The three albums are full of diverse sounds; from driving funk, sweeping disco grooves, syrupy ballads, reggae, Jackson-five-esque pop to finger-lickin' soul. At their core though is the "Sekele" groove...; a movement to encompass the dance, grooves and vibes from his native Douala.
Our album opens up with the pulsating percussion and floor-filling bass groove of "More Sekele Movement". We then move onto Africa Seven favourite "Na Real Sekele Fo'Ya" which takes stabby moog bass synth to a whole new level of grooviness. "Sanaga Calkpso" is more experimental in comparison its moog groove would go onto to form the basis of a highlight of the debut Kassav album. "Hiembi Nin" is a song in two parts; half Shaft groove and half synthy Calypso. "Back To Funky" is dance funk and features Maryse Lappe guesting on vocals.
Opening up on side two of the record is the Rhodes and sax led jazz funk of "Mbale", followed by the clavinet groove, sleezy brass and politically charged lyrics. "Sekelemania" is a cool piece of tropical, calypso funk. Lead track from Album 2, the single "ABC" is stomping afro, pop funk delight closes proceedings."
boomkat.com
---
In terms of being an afrobeat legend, Pasteur Lappe is Cameroon's Fela Kuti, an unsung hero who was ahead of the game back in the 1970s and 1980s, and one whose been famous for burning the pockets of many diggers nowadays. Luckily, Africa Seven have compiled some of his best work onto a ten-track LP, ranging from the funky oddities of "More Sekele Movement" or "Na Real Seke Fo'ya", to the future-zouk sound of "Sanaga Calypso", and plenty of jazzy, popped-out, disgruntled soulfulness to satisfy anyone from Gilles Peterson to Cherrystones. Heavy and warmly recommended.
---
Next up on Africa Seven is the
second edition of our African Funk Experimentals LPs. With these we
took some of our favourite African artists, choose the most funky we can
find and then put together a compilation of their choicest and funkiest
tracks. Of course that may not be their most popular or best selling
tracks...; but that's just fine. We are digging for the funk.
Step forward Cameroonian funk master Pasteur Lappe. The story begins in the 60s with a charming 19 year old Nicolas Pasteur Lappe becoming a sensation on Radio Adele in Douala Cameroun. He goes on to become the editor of Douala Gazette newspaper and become friends with other African music stars such as Tala AM, J Moboule and Fela Kuti. He also works tirelessly promoting new and upcoming local Cameroonian talent. After moving to Paris, a stint in Journalism school and publishing a book of poems Chansons Negres he finally settles into a new life of music in Paris.
Our hero makes a trio of albums from 1979 to 1981 with backing band and production collective called the Zulu Gang which include Douglas Mbida (who goes onto release several top flight albums himself) and Jacob Desvariaux (who went on to form Kassav). The three albums are full of diverse sounds; from driving funk, sweeping disco grooves, syrupy ballads, reggae, Jackson-five-esque pop to finger-lickin' soul. At their core though is the Sekele groove...; a movement to encompass the dance, grooves and vibes from his native Douala.
Our album opens up with the pulsating percussion and floor-filling bass groove of More Sekele Movement. We then move onto Africa Seven favourite Na Real Sekele Fo'Ya which takes stabby moog bass synth to a whole new level of grooviness. Sanaga Calkpso is more experimental in comparison its moog groove would go onto to form the basis of a highlight of the debut Kassav album. Hiembi Nin is a song in two parts; half Shaft groove and half synthy Calypso. Back To Funky is dance funk and features Maryse Lappe guesting on vocals.
Opening up on side two of the record is the Rhodes and sax led jazz funk of Mbale, followed by the clavinet groove, sleezy brass and politically charged lyrics. Sekelemania is a cool piece of tropical, calypso funk. Lead track from Album 2, the single ABC is stomping afro, pop funk delight closes proceedings.
The nostalgic poet, with Africa at his essence Pasteur Lappe, we salute you.
kudosrecords.co.uk
Step forward Cameroonian funk master Pasteur Lappe. The story begins in the 60s with a charming 19 year old Nicolas Pasteur Lappe becoming a sensation on Radio Adele in Douala Cameroun. He goes on to become the editor of Douala Gazette newspaper and become friends with other African music stars such as Tala AM, J Moboule and Fela Kuti. He also works tirelessly promoting new and upcoming local Cameroonian talent. After moving to Paris, a stint in Journalism school and publishing a book of poems Chansons Negres he finally settles into a new life of music in Paris.
Our hero makes a trio of albums from 1979 to 1981 with backing band and production collective called the Zulu Gang which include Douglas Mbida (who goes onto release several top flight albums himself) and Jacob Desvariaux (who went on to form Kassav). The three albums are full of diverse sounds; from driving funk, sweeping disco grooves, syrupy ballads, reggae, Jackson-five-esque pop to finger-lickin' soul. At their core though is the Sekele groove...; a movement to encompass the dance, grooves and vibes from his native Douala.
Our album opens up with the pulsating percussion and floor-filling bass groove of More Sekele Movement. We then move onto Africa Seven favourite Na Real Sekele Fo'Ya which takes stabby moog bass synth to a whole new level of grooviness. Sanaga Calkpso is more experimental in comparison its moog groove would go onto to form the basis of a highlight of the debut Kassav album. Hiembi Nin is a song in two parts; half Shaft groove and half synthy Calypso. Back To Funky is dance funk and features Maryse Lappe guesting on vocals.
Opening up on side two of the record is the Rhodes and sax led jazz funk of Mbale, followed by the clavinet groove, sleezy brass and politically charged lyrics. Sekelemania is a cool piece of tropical, calypso funk. Lead track from Album 2, the single ABC is stomping afro, pop funk delight closes proceedings.
The nostalgic poet, with Africa at his essence Pasteur Lappe, we salute you.
kudosrecords.co.uk
Tracklist
| A1 | More Sekele Movement (Papa Ni Mama) | 3:58 |
| A2 | Na Real Sekele Fo'Ya | 6:21 |
| A3 | Sanaga Calypso | 3:30 |
| A4 | Hiembi Nin (Hymne A La Vie) | 3:45 |
| A5 | Back To Funky | 3:26 |
| B1 | Mbale (Face To Face With The Truth) | 3:48 |
| B2 | Na Man Pass Man (Na Iron De Cut Iron) | 2:55 |
| B3 | Hommage A Eraste Nkom | 5:31 |
| B4 | Sekelimania (Nku Bilam) | 3:47 |
| B5 | ABC | 3:08 |
Labels:
Pasteur Lappe
May 31, 2016
Heads Funk Band - Hard World
Hard World is the first of three albums released by Heads Funk Band and it's one of the most rare LPs coming from Nigeria. What we have here is a pure, well crafted Afro-Funk. Heads Funk Band is related to Akwassa, where both are two exceptional bands with the same members, but co-existed simultaneously featuring Felix Odey (Feladey) on guitar and Eddie Offeyi on drums. The original forming duo of Akwassa was Felix Day / Feladey (guitar, vocals) and Kevin Coburn (keyboards, synths, vocals), who collaborated with guest musicians, which later turned out to be the actual Heads Funk Band. Some rumours say all of them were in both bands and musically speaking we can hear a lot of similarities. Akwassa released two incredibly rare albums, while Heads Funk Band managed to release three LPs, of which Hard World is the most hard to find.
preschmedia.bandcamp.com
Tracklist
| 01. Hard World | |
| 02. Money Makes You Happy | |
| 03. Can You Do It | |
| 04. Jesus | |
| 05. Egbe Bere Ogo Bere (Live And Let Live) | |
| 06. Hot Punk | |
| 07. Got To Love |
Labels:
Heads Funk Band
May 6, 2016
From Tanzania: Sunburst – Ave Africa
Strut is extremely proud to present a definitive collection of recordings from one of Tanzania’s most revered but short-lived bands of the 1970s, Sunburst. Covering their entire output from 1973 to 1976, this first retrospective features music from their 45 RPM singles “Moto Moto” and “TFC,” as well as their sole album, Ave Africa, and an unreleased radio session recorded in Tanzania in 1973.
Sunburst was formed in 1970 by Zairean guitarist Hembi Flory Kongo who recruited resident drummer Johnny “Rocks” Fernandes, bass player Bashir Idi Farhan and organist / vocalist Kassim Magati. They were soon joined by Zambian-born lead singer James Mpungo.
Having developing their sound via covers-heavy live performances and a string of early singles, Sunburst’s sole LP came out at a time when Zambia was enjoying a stream of releases by bands that would now be considered icons of Zamrock such as Witch, Ngozi Family, Musi-O-Tunya and The Blackfoot. The sleeve text described the Sunburst sound as “a fusion of the traditional sounds of Africa with Western Rock, spiced with a piece of the Caribbean” but the intricacies of the Kitoto Sound that Sunburst had crafted for years peaked on this recording. Band members born in six different countries were tapping into a multitude of influences, styles, languages and stories. “We try to compose songs that have a bearing to the situation we live in,” James Mpungo recounted at the time. “Our songs are songs that support freedom struggles, songs that encourage peasants and workers to work harder, songs in praise of our leaders. We also sing a lot of songs criticizing our people for allowing themselves to be too westernized and throwing away their traditional values. And above all, we preach love and happiness!”
Ave Africa: The Kitoto Sound Of East Africa 1973-1976 is the result of over three years of research by compilers DJ Thomas Gesthuizen and Dave Tinning and comes out 24th June on 2xCD, 2xLP (w. CD included) & digital formats. Stream the track “Simba Anguruma” below. Pre-orders are available here and now.
Strut Records
Tracklist
| A1 | Kitoto Sound | |
| A2 | Ukuti Ukuti | |
| A3 | Ba Motoka Na Castle | |
| A4 | Kamungulwe | |
| A5 | Your Day Will Come | |
| A6 | Ani Uni | |
| B1 | Wakulu Wa Kuno | |
| B2 | We Need Each Other | |
| B3 | Alhamdullilahi | |
| B4 | Ntambwa | |
| B5 | How Can I Get To You | |
| B6 | Ave Africa |
Labels:
Suburst
Apr 29, 2016
From Argentina: El Gran Capitán Afrobeat (for free)
Unfortunately cannot find any information, not even a biography in Spanish! But still worth to listen to...
Get their three EPs rightaway here!
Labels:
El Gran Capitán Afrobeat
Subscribe to:
Posts (Atom)














