The lyrics performed in part are in anglicised Bemba:
Ubutungwa twalipoka, mu chalo chesu icha Zambia
Nomba mune wemwina Zambia wishitisha chalo
Nga wa mona umulwani aisa no lupiya ulwingi
Wikokola umusebe we mwine wa chalo
Ubutungwa ubwa Zambia
Natusunge ichalo chesu
Webuteko niwe wine we mwine wa chalo
Pantu nga washitisha chalo ukepaisha abantu
Kanshi mune uchenjele kuli aba ba mwisa
Abefwaya ukonaula ichalo chesu
The message in this song is forever relevant. What Keith is saying is that we have achieved our independence but we must not sell the country. He says that the vanguard of the country Zambia is the government. It is the role of the government not to sell the country. It is the role of the government to protect people from death (suffering). The soft rock song will touch even the hardest of hearts. This is Keith talking straight patriotism, straight politics. Yet as brilliant as Ubuntungwa is, it’s not the only song that Keith truly triumphed in. Keith was an extremely musically gifted individual.
Part of the words in I am Your Star, performed in English are:
In a way, I appear looking so crap, looking a tramp, I am your star people.
You’ve got to realise who I am...
(ZAMBIAN MUSIC LEGENDS BY LEONARD KOLOKO)
“But who was this Keith Mlevu this writer speaks of? Leornard Koloko writes in his book ‘Zambian Music Legends’. “On Saturday March 5, 1988 gloom befell the Zambian music scene. Keith Mlevhu, the renowned Zambian music superstar was dead at a tender age of 37.
Keith Mlevhu’s death was a big blow to the Zambian music industry for the man was an epitome of competency, proficiency and superstardom. Not only did he have a melodious and captivating voice, he was very innovative with it. He proved to the world that singing is not just about releasing the vocal chords but a vehicle that carries a message and emotion along. A multi-instrumentalist, Keith was at home with all guitars, drums, keyboards, harmonica and percussions. He also backed himself on vocals. On every song, there were usually three different Keith Mlevhu voices all arranged and mixed to perfection. He was truly a one-man band as he called himself and titled one unreleased album.
Born on September 14, 1950 in the mining town of Chingola, Keith Mlevhu had been a musician from juvenile having played for so many bands in his formative years. He started with Dyna-Magic as an instruments handy boy in his early teens before graduating into a sensational guitarist for the same band. Keith later on pioneered and led several other pop groups, namely; The New Orleans, Mac Beth, The Rave Five, The End and The Aqualung.
One of Keith’s greatest moments as a young musician came in 1969 when he led The Rave Five into scooping a contest for bands dubbed ‘The Mini Woodstock’ held at Lusaka Show Grounds. The following year, he led another youthful outfit, ‘The End’ on a six-month tour of Congo-Kinshasa where the band was resident at a Lubumbashi Club. When ‘The End’ returned home they split with Keith forming a new band, Aqualung.
It was after the disbanding of Aqualung that Keith pursued the new three-year diploma course in music at Evelyn Hone College where because of his brilliance and competence, he was retained as a lecturer. During his lecturing days, Keith found time to enter the Zambia Broadcasting Services studios for recordings. His very first piece to hit the airwaves was You, Me and the Other Fellow in 1975. This song and its accompanying video were done as a political advert calling for love and unity in the nation. The same year his debut solo album, ‘Banafimbusa’ was released.”