The heady funk of Akwassa is as infectious as it is rare. Actually,
it is so potent that it couldn’t be contained within just one group:
The Akwassa band were born out of the groups The Founders (later to
become the Foundars 15) and an obscure group called Red House. The duo
of Felix Day (guitar, vocals) and Kevin Coburn (keyboards, synths,
vocals) are listed as the core of Akwassa, with guest musicians
rounding out the ensemble. It turns out, however, that the duo and these
guest musicians are in fact the group Heads Funk (or Headzfunk). Or,
actually, all of them were both bands. The duo of Akwassa were signed to
Afrodisia with the rest of the band listed as guest musicians, while
Heads Funk were signed to EMI with the Day/Coburn duo listed as guest
and the others front and center. Clever!
Under this system, Heads Funk recorded 3 albums and Akwassa recorded 2, La’ila (1975) and In the Groove (1977). Featured here are two tracks from In the Groove, a
most apt title for music that conspires to keep your head nodding and
your bell-bottoms swaying. As with other Afro-funk releases of the time,
In the Groove showcases more than just straight funk numbers, but of course, it is the funk numbers that get my attention.
Everybody Is Getting On has got an Ohio Players-like groove,
accentuated with wah-wah guitar and synth effects, with typical late
70s lyrics about everyone realizing their get-down partying credentials
at the same glorious time for an euphoric booty shakin’ time on the
dance floor!
Jam All Night takes this theme into the wee hours of the
morning with an all out instrumental jam, a bedrock of afro-funk
allowing ample room for synth experimentation and screaming guitar
solos!
fatheadphones.com
Price @ Heads Funks Band: Check out here!
Price @ Akwassa: Check out here!
For more info on Akwassa/Heads Funk and its individual members, check here.
Nov 28, 2013
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